Reog is one of the cultural arts from East Java and the northwestern part Ponorogo Reog regarded as the hometown of the real. Roxburgh town gate was decorated by the figure warok and gemblak, two figures who have appeared at the time reog performed. Reog is one of the local culture in Indonesia is still very strong with things mystical and powerful mysticism
HistoryReog performances in Ponorogo 1920. Besides reog, there is also a dancer and bujangganong braid horses.
There are five versions of the popular story that develops in the community about the origins and Warok Reog, but one of the most famous story is the story of the rebellion Ki Ageng Fleas, a royal servant in the Bhre Kertabhumi, last king of Majapahit which ruled in the 15th century . Ki Ageng Fleas will anger the powerful influence of the Majapahit king's wife who came from China, but also the wrath of his king in a corrupt government, he also saw that the power of the kingdom of Majapahit will end. He then left the king and founded the college where he taught martial arts to young children, the science of self-immunity, and the science of perfection in the hope that these young children will be the seed of the resurrection of the Majapahit kingdom back. Aware that his forces are too small to fight the royal troops Ki Ageng Fleas political message conveyed through the performing arts Reog, which is a "satire" to the King and his kingdom Kertabhumi. Reog show a way of Ki Ageng Fleas build local resistance using Reog popularity.
Reog displayed in the show shaped head of a lion mask, known as the "Lion barong ', king of the jungle, which became a symbol for Kertabhumi, and above it is plugged in peacock feathers to resemble a giant fan that symbolizes the strong influence of his Chinese colleagues from the set of all motion- geriknya. Jatilan, played by a group of dancers gemblak a piggyback ride became a symbol of the Majapahit Empire forces in the comparison of the contrast with the strength warok, who was behind the red clown mask that became a symbol for Ki Ageng Fleas, alone and carry the weight of the mask Singabarong achieve more of 50 kg using only his teeth. Ki Ageng Fleas Reog popularity eventually led to Bhre Kertabhumi perguruannya take action and strike, rebellion by warok quickly overcome, and forbidden to continue teaching college will warok. But students still continue Ki Ageng ticks quietly. However, Reognya art itself is still allowed to be staged since the show has become popular among the people, but the story has added the new channel in which the characters of folklore that is Kelono Sewandono Roxburgh, David Songgolangit, and Sri Genthayu.
The official version now storylines Reog Ponorogo is the story of King Ponorogo who intend applying for Kediri daughter, Dewi Ragil Yellow, but in the way he was intercepted by King Singabarong of Kediri. Singabarong king's army consists of peacocks and lions, while the King of the Kingdom of Roxburgh and his Deputy Bujang Kelono Anom, escorted by warok (men dressed in black in the dance), and warok has a deadly black magic. The whole dance is a dance of war between the Kingdom and the Kingdom of Ponorogo Kediri, and pitted black magic between them, the dancers are in a state of "trance" while staging the dance
Until now people just follow what Ponorogo to their heritage as a very rich cultural heritage. In the experience of art is the copyright creation of human Reog formed a cult that is hereditary and maintained. The ceremony also use terms that are not easy for lay people to fill in the absence of a clear lineage. they embrace Parental lineage and customary laws are still valid.
Art staging Reog Ponorogo
Modern Reog usually performed in several events such as weddings, circumcisions and the great days of the National. Reog Ponorogo art consists of a series of 2 to 3 opening dance. The first dance is usually performed by 6-8 valiant men dressed all in black, with red polished face. The figure depicts the lion dancers are brave. Next is a dance performed by girls who ride horses 6-8. In the traditional reog, dancers are usually performed by male dancers dressed in women. This dance is called a braid or Jathilan horse dance, which should be distinguished from other dances that lumping horse dance.
Other opening dance if there is usually a dance by a little boy who brought the funny scene called Bujang Ganong or Ganongan.
After the opening dance is complete, the new core scenes whose content is displayed depends reog condition where art is displayed. When it comes to marriage, the romance scenes are displayed. For the celebration of circumcision or circumcision, is usually the story of warriors,
Art scene in reog usually do not follow a neat scenario. Here there is always interaction between players and masterminds (usually the leader of the party) and sometimes with the audience. Sometimes a player's performances can be replaced by another player when the player's fatigue. The first importance in the staging of art reog is to give satisfaction to the audience.
The final scene is a barong lion, where the actors wear masks shaped head of a lion with a crown made of peacock feathers. Weight mask can reach 50-60 kg. Heavy mask is carried by the dancers with his teeth. The ability to bring masks are obtained in addition to weight training, is also believed diproleh with spiritual exercises such as fasting and penance.
Figures in the arts ReogJathilan (front)
Jathil is a warrior on horseback, and is one of the leaders in the arts Reog. Jathilan is a dance depicting the dexterity of soldiers who were practicing riding on a horse. This dance is performed by dancers in which the dancers are to each other in pairs with each other. Dexterity and skill in battle on horseback or lost interest shown by the expression of the dancer.
Jathilan was originally danced by men smooth, flawless-looking or similar to a beautiful woman. Motion is more likely to feminine dance. Since the 1980's when the art team was about to be sent to Reog Ponorogo to open PRJ Jakarta (Jakarta Fair), dancer Jathilan replaced by the dancers girls with more feminine reason. The characteristics of an impression on the artistic dance movement Jathilan Reog Ponorogo more likely to smooth, lively, flirtatious. This is supported by the pattern of rhythmic dance movement that alternated between rhythm work properly (naive) and rhythm ngracik.
warok"Warok" which comes from the word wewarah are people who have a holy determination, provide guidance and protection without any strings attached. Warok is wong kang wewarah wealthy (rich people will wewarah). That is, a person becomes warok being able to give guidance or instruction to others about life iku baik.Warok wong kang wus full saka sakabehing behavior, lan wus menep ing sense (Warok is the one who is perfect in the manner of life, and to the deposition of the inner ).
Warok a character / traits and community spirit that has been ingrained Ponorogo since the first handed down by our ancestors to future generations. Warok is part of the art teaching aids Reog integral with the other props in the art unit Reog Ponorogo. Warok is a truly mastered both physically and mentally.
Barongan (sudden peacock)Barongan (sudden peacock) dance is the most dominant tools in the art Reog Ponorogo. Parts thereof, among others; Head Tiger (caplokan), made of wooden frame, bamboo, rattan covered with tiger skins Gembong. Sudden peacock, frame made of bamboo and rattan as a peacock feathers arranged to depict a peacock feathers and bite are developing a string of beads - beads (prayer beads). Krakap made of black velvet cloth embroidered with the monte, the accessories and a place to write reog group identity. [4] sudden this peacocks length of around 2.25 meters, a width of about 2.30 meters, and weighs nearly 50 pounds.
Klono Sewandono or Kelono King was a powerful king who has a heritage mainstay mandraguna Cemeti highly potent form as Kyai whip Samandiman go wherever the King is a handsome and young are always bringing treasures. Inheritance is used to protect himself. Valor of the King in describing the motion of a lively dance and authoritative, in a tale of King Klono Sewandono managed to create beautiful art from the results of its copyright power to comply with requests Princess (her boyfriend). Because the king in a drunken affair then tarinyapun sometimes describe a movement that is being in love
Bujang Ganong (Ganongan) or Patih Anom poet was one of the energetic, hilarious as well as having expertise in the martial arts so that each performance is always there waiting - waiting by the audience especially children - children. Bujang Ganong describes the figure of a young Patih nimble, strong-willed, clever, witty and sakt
HistoryReog performances in Ponorogo 1920. Besides reog, there is also a dancer and bujangganong braid horses.
There are five versions of the popular story that develops in the community about the origins and Warok Reog, but one of the most famous story is the story of the rebellion Ki Ageng Fleas, a royal servant in the Bhre Kertabhumi, last king of Majapahit which ruled in the 15th century . Ki Ageng Fleas will anger the powerful influence of the Majapahit king's wife who came from China, but also the wrath of his king in a corrupt government, he also saw that the power of the kingdom of Majapahit will end. He then left the king and founded the college where he taught martial arts to young children, the science of self-immunity, and the science of perfection in the hope that these young children will be the seed of the resurrection of the Majapahit kingdom back. Aware that his forces are too small to fight the royal troops Ki Ageng Fleas political message conveyed through the performing arts Reog, which is a "satire" to the King and his kingdom Kertabhumi. Reog show a way of Ki Ageng Fleas build local resistance using Reog popularity.
Reog displayed in the show shaped head of a lion mask, known as the "Lion barong ', king of the jungle, which became a symbol for Kertabhumi, and above it is plugged in peacock feathers to resemble a giant fan that symbolizes the strong influence of his Chinese colleagues from the set of all motion- geriknya. Jatilan, played by a group of dancers gemblak a piggyback ride became a symbol of the Majapahit Empire forces in the comparison of the contrast with the strength warok, who was behind the red clown mask that became a symbol for Ki Ageng Fleas, alone and carry the weight of the mask Singabarong achieve more of 50 kg using only his teeth. Ki Ageng Fleas Reog popularity eventually led to Bhre Kertabhumi perguruannya take action and strike, rebellion by warok quickly overcome, and forbidden to continue teaching college will warok. But students still continue Ki Ageng ticks quietly. However, Reognya art itself is still allowed to be staged since the show has become popular among the people, but the story has added the new channel in which the characters of folklore that is Kelono Sewandono Roxburgh, David Songgolangit, and Sri Genthayu.
The official version now storylines Reog Ponorogo is the story of King Ponorogo who intend applying for Kediri daughter, Dewi Ragil Yellow, but in the way he was intercepted by King Singabarong of Kediri. Singabarong king's army consists of peacocks and lions, while the King of the Kingdom of Roxburgh and his Deputy Bujang Kelono Anom, escorted by warok (men dressed in black in the dance), and warok has a deadly black magic. The whole dance is a dance of war between the Kingdom and the Kingdom of Ponorogo Kediri, and pitted black magic between them, the dancers are in a state of "trance" while staging the dance
Until now people just follow what Ponorogo to their heritage as a very rich cultural heritage. In the experience of art is the copyright creation of human Reog formed a cult that is hereditary and maintained. The ceremony also use terms that are not easy for lay people to fill in the absence of a clear lineage. they embrace Parental lineage and customary laws are still valid.
Art staging Reog Ponorogo
Modern Reog usually performed in several events such as weddings, circumcisions and the great days of the National. Reog Ponorogo art consists of a series of 2 to 3 opening dance. The first dance is usually performed by 6-8 valiant men dressed all in black, with red polished face. The figure depicts the lion dancers are brave. Next is a dance performed by girls who ride horses 6-8. In the traditional reog, dancers are usually performed by male dancers dressed in women. This dance is called a braid or Jathilan horse dance, which should be distinguished from other dances that lumping horse dance.
Other opening dance if there is usually a dance by a little boy who brought the funny scene called Bujang Ganong or Ganongan.
After the opening dance is complete, the new core scenes whose content is displayed depends reog condition where art is displayed. When it comes to marriage, the romance scenes are displayed. For the celebration of circumcision or circumcision, is usually the story of warriors,
Art scene in reog usually do not follow a neat scenario. Here there is always interaction between players and masterminds (usually the leader of the party) and sometimes with the audience. Sometimes a player's performances can be replaced by another player when the player's fatigue. The first importance in the staging of art reog is to give satisfaction to the audience.
The final scene is a barong lion, where the actors wear masks shaped head of a lion with a crown made of peacock feathers. Weight mask can reach 50-60 kg. Heavy mask is carried by the dancers with his teeth. The ability to bring masks are obtained in addition to weight training, is also believed diproleh with spiritual exercises such as fasting and penance.
Figures in the arts ReogJathilan (front)
Jathil is a warrior on horseback, and is one of the leaders in the arts Reog. Jathilan is a dance depicting the dexterity of soldiers who were practicing riding on a horse. This dance is performed by dancers in which the dancers are to each other in pairs with each other. Dexterity and skill in battle on horseback or lost interest shown by the expression of the dancer.
Jathilan was originally danced by men smooth, flawless-looking or similar to a beautiful woman. Motion is more likely to feminine dance. Since the 1980's when the art team was about to be sent to Reog Ponorogo to open PRJ Jakarta (Jakarta Fair), dancer Jathilan replaced by the dancers girls with more feminine reason. The characteristics of an impression on the artistic dance movement Jathilan Reog Ponorogo more likely to smooth, lively, flirtatious. This is supported by the pattern of rhythmic dance movement that alternated between rhythm work properly (naive) and rhythm ngracik.
warok"Warok" which comes from the word wewarah are people who have a holy determination, provide guidance and protection without any strings attached. Warok is wong kang wewarah wealthy (rich people will wewarah). That is, a person becomes warok being able to give guidance or instruction to others about life iku baik.Warok wong kang wus full saka sakabehing behavior, lan wus menep ing sense (Warok is the one who is perfect in the manner of life, and to the deposition of the inner ).
Warok a character / traits and community spirit that has been ingrained Ponorogo since the first handed down by our ancestors to future generations. Warok is part of the art teaching aids Reog integral with the other props in the art unit Reog Ponorogo. Warok is a truly mastered both physically and mentally.
Barongan (sudden peacock)Barongan (sudden peacock) dance is the most dominant tools in the art Reog Ponorogo. Parts thereof, among others; Head Tiger (caplokan), made of wooden frame, bamboo, rattan covered with tiger skins Gembong. Sudden peacock, frame made of bamboo and rattan as a peacock feathers arranged to depict a peacock feathers and bite are developing a string of beads - beads (prayer beads). Krakap made of black velvet cloth embroidered with the monte, the accessories and a place to write reog group identity. [4] sudden this peacocks length of around 2.25 meters, a width of about 2.30 meters, and weighs nearly 50 pounds.
Klono Sewandono or Kelono King was a powerful king who has a heritage mainstay mandraguna Cemeti highly potent form as Kyai whip Samandiman go wherever the King is a handsome and young are always bringing treasures. Inheritance is used to protect himself. Valor of the King in describing the motion of a lively dance and authoritative, in a tale of King Klono Sewandono managed to create beautiful art from the results of its copyright power to comply with requests Princess (her boyfriend). Because the king in a drunken affair then tarinyapun sometimes describe a movement that is being in love
Bujang Ganong (Ganongan) or Patih Anom poet was one of the energetic, hilarious as well as having expertise in the martial arts so that each performance is always there waiting - waiting by the audience especially children - children. Bujang Ganong describes the figure of a young Patih nimble, strong-willed, clever, witty and sakt
Sources of id.wikipedia.org
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